(COLORADO SPRINGS) — How long ago do you think the word robot was coined? Around the atomic age after World War II? If so, you’d be surprised that the word was first introduced into the English language by the Czech multitalent Josef Čapek in 1920 in his play R.U.R., or Rossum’s Universal Robots. 105 years later, Springs Ensemble Theatre is bringing this story back to life starting Nov. 6.
The play centers around a young woman who comes to an island that houses a factory that produces humanoid machines designed solely for work, which the worldwide economy relies upon. Just from this description of the opening premise, one can surely already see the connections to the play and landmark science-fiction productions from Blade Runner to Terminator, The Matrix, and beyond.
R.U.R. also seems to come at just the right time, as it appears that there is a constant argument on the merits of artificial intelligence and language learning models. While the story of R.U.R. centers more around the value of the human soul and the rights of the worker, it’s almost impossible not to think about the onset of AI when discussing the play.
“When AI is used, it is used to surpass creative processes for the sake of profit. This play really reflects this theme well. Our system is designed to concern ourselves with what is the cheapest, easiest way to create something, even at the expense of humanity,” said Springs Ensemble actor Sheridan Singer when asked if working on this production had any effect on how they view AI.
Actor Daniel Salemé agreed with Singer’s sentiment, saying, “Working on this production, I believe AI is a dangerous path for the future of technology and humanity. Yet I sympathize with those, like my character, who simply want to see how far we can take science. It’s undeniably tempting and exciting (even though I believe we should approach with caution, or hang up this tool altogether).”
The director of the production found the play to have a human heart.
“I found the human conflicts presented by the script to be far more interesting and equally relevant,” said director Matt Phillips, “I am most excited by the many challenges the play presents for the artists. It’s been a blast producing this piece, and it’s given us a chance to put something truly unique on stage.”
Poster for previous historic production of R.U.R.
Image provided by Getty Images
The play will have 12 performances beginning at 7:30 p.m. on Nov. 6, to the final show coming at 2 p.m. on Nov. 23. The venue is the Fifty-Niner Speakeasy in Old Colorado City, which will provide an intimate, unique feel for audiences experiencing the play. Tickets for all performances are still available and can be purchased by following the link above.
